Deadline: September 28, 2020
Entry Fee: $38
Prizes: participation in the exhibition
Photography started as a chemical experiment. However, the acknowledged inventor of the process, Thomas Wedgwood, was the son and grandson of famous English potters. His entire life he was surrounded by artists, creators. Wedgwoods pals were William Wordsworth and Samuel Taylor Coleridge. So, it is not unusual or unexpected that creative folks have taken his work and run with it. For many photographers it’s about the camera, for others it’s about what can be birthed once it leaves the thing and for others it is the possibility of making images that are miraculous orphans.
Any unique handmade prints are eligible. Eligible prints include but are not limited to cyanotype, lumens, Van Dyke, salt, chemigram, tintype, bromoil, gum bichromate, platinum/palladium, photogravure, albumen, liquid emulsion, ziatype, image transfers, kallitypes, lith prints, silver gelatin prints, encaustic and mordoncage. Unique prints made from digital negatives are eligible. The camera used for capture is immaterial. Creativity is encouraged.
Submissions are open to all photographers both professional and amateur. International entries are welcomed. Work previously exhibited in the gallery or featured on the blog are not eligible.
Jill Enfield will be the juror for “unique: alternative processes”. Jill Enfield is a fine art photographer, educator, curator and author and has been teaching photography for many years with a concentration on historical techniques and alternative processes. Her two books: Photo Imaging: A Complete Guide To Alternative Processes published by Amphoto, and, Jill Enfield’s Guide to Alternative Processes: Popular Historical and Contemporary Techniques published by Focal Press, are both award winning books and used in schools all over the world. Jill is working on the second edition to Jill Enfield’s Guide, which has a 2020 publication date by Focal Press – Routledge. Like the others, it will include step-by-step instructions on a variety of techniques including: wet plate collodion, dry plate modern tintypes, platinum and palladium printing, cyanotypes, liquid emulsion, albumen printing, hand painting and more.
Jill’s work has also been chosen to be on book covers about these techniques and in magazines. Jill has podcasts and videos that can be seen on youtube and other areas of the web. She has shown her work throughout the USA and Europe and had a one-woman show in 6 galleries on Ellis Island called THE NEW AMERICANS, up from May through September, 2017. A 3-minute video about the installation and the glass house made of old windows and portraits of recent immigrants can be seen by clicking on this link. The show then traveled with the Glasshouse of Immigrants featured at Photoville in DUMBO, NYC and the Annenberg Center in LA.
Jill’s fine art images can be seen in many museums around the world as well as in private collections.
- Entries due: September 21, 2020
- Results emailed: October 5, 2020
- Exhibition dates: November 6, 2020 to January 3, 2021
- $38 for the first 5 images, $7 per each additional image.
Submissions of 11 or more images are eligible for a review of the submitted images by the gallery directors.
The gallery will retain 40% of the sales price.
Photographers retain full rights to their own images. The gallery will use the photographer’s images for publicity purposes.