MESH Call For Entries – FOTOFILMIC

Opening: December 31, 2018
Deadline: February 28, 2019
Entry fee: $50
Prizes: $2,500 Exhibition Grant awarding toward exhibition expenses

The MESH Exhibition Call invites work based upon a broad critical theme in reflection of our current times: for this first MESH edition the theme is ‘REDSHIFT’.

Projects submitted may explore a wide range of issues spanning from the political, the social, the economical, the environmental, the technological and the existential.

Website: https://fotofilmic.com/mesh/

FOTOFILMIC 2018 Exhibitors

Untitled, 2018, © Bradley Marshall, Johnson City, TN, USA, MESH Call For Entries - FOTOFILMIC — Untitled
© Bradley Marshall, Johnson City, TN, USA

Untitled, © Giannis Manolis, Thessaloniki, Greece, MESH Call For Entries - FOTOFILMIC — Untitled
© Giannis Manolis, Thessaloniki, Greece

Untitled (Nakwon #35), © Florian Bong-Kil Grosse, South Korea/Berlin, Germany, MESH Call For Entries - FOTOFILMIC — Untitled (Nakwon #35)
© Florian Bong-Kil Grosse, South Korea/Berlin, Germany

From the series ‘Myths of the Near Future’, © Rob Stephenson, Brooklyn, NY, USA, MESH Call For Entries - FOTOFILMIC — From the series ‘Myths of the Near Future’
© Rob Stephenson, Brooklyn, NY, USA

From the series ‘False Friends’, © Dominic Turner, Dublin, Ireland, MESH Call For Entries - FOTOFILMIC — From the series ‘False Friends’
© Dominic Turner, Dublin, Ireland

From the series, ‘Infinite Perimeter’, © Michalis Poulas, Sitia, Crete, Greece, MESH Call For Entries - FOTOFILMIC — From the series, ‘Infinite Perimeter’
© Michalis Poulas, Sitia, Crete, Greece

From the series ‘Nothing Is Coming Soon’, © Clay Jordan, Athens, GA, USA, MESH Call For Entries - FOTOFILMIC — From the series ‘Nothing Is Coming Soon’
© Clay Jordan, Athens, GA, USA

Piedra-Padre, Universo, 2017, © Clara de Tezanos, Guatemala City, Guatemala, MESH Call For Entries - FOTOFILMIC — Piedra-Padre, Universo, 2017
© Clara de Tezanos, Guatemala City, Guatemala

Blue Pine Peak Looking Southeast, 2015, © Peter Croteau, Philadelphia, PA, USA, MESH Call For Entries - FOTOFILMIC — Blue Pine Peak Looking Southeast, 2015
© Peter Croteau, Philadelphia, PA, USA

Portrait with Healing Wound, 2014, © Sarah Pfohl, Greencastle, IN,USA, MESH Call For Entries - FOTOFILMIC — Portrait with Healing Wound, 2014
© Sarah Pfohl, Greencastle, IN,USA

Untitled (Massa Lombarda), 2015, © Marcello Galvani, Ravenna, Italy, MESH Call For Entries - FOTOFILMIC — Untitled (Massa Lombarda), 2015
© Marcello Galvani, Ravenna, Italy

From the series ‘A Near Stranger’, © Vinna Laudico, Montreal, QC, Canada, MESH Call For Entries - FOTOFILMIC — From the series ‘A Near Stranger’
© Vinna Laudico, Montreal, QC, Canada

From the series ‘Wildfire’, © Arnaud Teicher, Aix-En-Provence, France, MESH Call For Entries - FOTOFILMIC — From the series ‘Wildfire’
© Arnaud Teicher, Aix-En-Provence, France

Parker and Nina Embrace on the Car (Bayville Beach), 2016, We Are Ugly But We Have The Music, © Marisa Chafetz, Brooklyn, NY, USA, MESH Call For Entries - FOTOFILMIC — Parker and Nina Embrace on the Car (Bayville Beach), 2016, We Are Ugly But We Have The Music
© Marisa Chafetz, Brooklyn, NY, USA

From the series ‘He didn’t believe me’, © Nicola Baldazzi, Ravenna, Italy, MESH Call For Entries - FOTOFILMIC — From the series ‘He didn’t believe me’
© Nicola Baldazzi, Ravenna, Italy

From the series ‘Little Romances’, © Jordanna Kalman, Poughkeepsie, NY, USA, MESH Call For Entries - FOTOFILMIC — From the series ‘Little Romances’
© Jordanna Kalman, Poughkeepsie, NY, USA

From the series ‘REMNANTS’, © Julie Weber, Chicago, IL, USA, MESH Call For Entries - FOTOFILMIC — From the series ‘REMNANTS’
© Julie Weber, Chicago, IL, USA

From the series ‘Story About Friends’, 2017-2018, © Santiago Forero, Bogotá, Columbia, MESH Call For Entries - FOTOFILMIC — From the series ‘Story About Friends’, 2017-2018
© Santiago Forero, Bogotá, Columbia

From the series ‘The Ecology of Dreams’, © Ewan Telford, Scotland/Los Angeles, CA, USA, MESH Call For Entries - FOTOFILMIC — From the series ‘The Ecology of Dreams’
© Ewan Telford, Scotland/Los Angeles, CA, USA

From the series ‘Chaos’, © Daren You, China/San Francisco, CA, USA, MESH Call For Entries - FOTOFILMIC — From the series ‘Chaos’
© Daren You, China/San Francisco, CA, USA

From the series ‘O Human Child’, © Vera Saltzman, Fort Qu’Appelle, SK, Canada, MESH Call For Entries - FOTOFILMIC — From the series ‘O Human Child’
© Vera Saltzman, Fort Qu’Appelle, SK, Canada

From the series ‘Fragile Beast’, © Chris Round, Sydney, Australia, MESH Call For Entries - FOTOFILMIC — From the series ‘Fragile Beast’
© Chris Round, Sydney, Australia

Lincoln Heights, © Inzajeano Latif, Glasgow, Scotland, MESH Call For Entries - FOTOFILMIC — Lincoln Heights
© Inzajeano Latif, Glasgow, Scotland

From the series ‘Past Future Past’, © Glen Scheffer, Nashua, NY, USA, MESH Call For Entries - FOTOFILMIC — From the series ‘Past Future Past’
© Glen Scheffer, Nashua, NY, USA

From the series ‘noncorpa III, distances’, © Jesse Koechling, Brooklyn, NY, USA, MESH Call For Entries - FOTOFILMIC — From the series ‘noncorpa III, distances’
© Jesse Koechling, Brooklyn, NY, USA

From the series ‘Paradise Lost’, © Melissa Renwick, Tofino, BC, Canada, MESH Call For Entries - FOTOFILMIC — From the series ‘Paradise Lost’
© Melissa Renwick, Tofino, BC, Canada

From the series ‘lovefool’, © Ii Yuzu, Seoul, South Korea, MESH Call For Entries - FOTOFILMIC — From the series ‘Lovefool’
© Ii Yuzu, Seoul, South Korea

From the series ‘Somewhere Between Psychosis and Neurosis’, © Shelbie Dimond, Los Angeles, CA, USA, MESH Call For Entries - FOTOFILMIC — From the series ‘Somewhere Between Psychosis and Neurosis’
© Shelbie Dimond, Los Angeles, CA, USA

From the series ‘Walking: Moving Each Other Forward’, © Lesia Maruschiak, Ottawa, ON, Canada, MESH Call For Entries - FOTOFILMIC — From the series ‘Walking: Moving Each Other Forward’
© Lesia Maruschiak, Ottawa, ON, Canada

From the series ‘Heterotopia’, © Demetris Koilalous, Athens, Greece, MESH Call For Entries - FOTOFILMIC — From the series ‘Heterotopia’
© Demetris Koilalous, Athens, Greece

Next:
2018 in Review – Pursue Pictures

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